Carolee Schneemann (1939–2019) was one of the most influential artists of the second part of the twentieth century. Her pioneering work in a range of media—painting, film, video, dance and performance, installations, and the written word—is characterized by radical formal experimentation and critical investigations of subjectivity, the erotic and taboo, images of atrocity, and the social construction of the female body. Schneemann received a B.A. in poetry and philosophy from Bard College and a Master of Fine Arts from the University of Illinois. Originally a painter in the Abstract Expressionist tradition, Schneemann was uninterested in the masculine heroism of New York painters of the time and turned to performance-based work. Although renowned for her work in performance and other media, Schneemann began her career as a painter, stating, “I’m a painter. I’m still a painter and I will die a painter. Everything that I have developed has to do with extending visual principles off the canvas.” Schneemann has been the subject of numerous exhibitions and publications throughout her six-decade career, including the retrospective Carolee Schnemann: Body Politics at the Barbican Art Gallery, London (2022–2023) and Carolee Schnemann: Kinetic Painting, presented at the Museum der Moderne Salzburg in 2015–2016, the Museum für modern Kunst, Frankfurt, in 2017, and the Museum of Modern Art, New York in 2017–2018. Her work has been shown at the Los Angeles Museum of Contemporary Art; Whitney Museum of American Art, New York; Centre Georges Pompidou, Paris; the Reina Sofia, Madrid; Tate Modern, London; and the New Museum of Contemporary Art in New York, among others. Schneemann is represented by PPOW Gallery, New York. Film and video retrospectives have been held internationally, including at the Centre Georges Pompidou, Paris; Museum of Modern Art, New York; National Film Theatre, London; and Whitney Museum, New York. Recent publications include the book of interviews, From Here and Beyond (Kunsthalle Winterthur, 2022); a book of her early writings, Uncollected Texts (Primary Information, 2018); and the monograph Unforgivable (Black Dog, 2015). Schneemann holds Honorary Doctor of Fine Arts degrees from the California Institute of the Arts and the Maine College of Art and, in 2017, was awarded the Golden Lion for lifetime achievement at the Venice Biennale.
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